High impact is everything in the world of commercial photography, and few photographers are able to make as much of an impact as Satoshi Kobayashi. Still lifes in name only, Satoshi’s ability to bring a visceral dynamism to static images has made his work highly sought after. Satoshi’s hyperstylized work delicately straddles the line between commercial and fine art, and his technical acumen is worth its weight in gold. He’s a user of Sinar’s unique p3 bellows-style digital camera and a devotee of Broncolor lighting.
Showing posts with label Still Life Photography. Show all posts
Showing posts with label Still Life Photography. Show all posts
Wednesday, February 22, 2012
Still Life Photography by Satoshi Kobayashi
High impact is everything in the world of commercial photography, and few photographers are able to make as much of an impact as Satoshi Kobayashi. Still lifes in name only, Satoshi’s ability to bring a visceral dynamism to static images has made his work highly sought after. Satoshi’s hyperstylized work delicately straddles the line between commercial and fine art, and his technical acumen is worth its weight in gold. He’s a user of Sinar’s unique p3 bellows-style digital camera and a devotee of Broncolor lighting.
Still Life Photography by Dwight Eschliman
Dwight Eschliman has been living and working in San Francisco for over ten years. His work spans a variety of subjects from athletic shoes to Legos, clean rooms to castles in Germany, the newest tech products to Beef stew. Some of his editorial photography can be seen in New York Times Magazine, San Francisco Magazine, Esquire, GQ, Details, New York Magazine, Dwell, and Wired. Dwight’s advertising projects include Apple, Palm, Clorox, Scion, Microsoft, Adidas, Absolut, Audi, Jawbone, T Mobile, HP, and Beautifull. Dwight lives in Marin with his wife and two sons.
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