Raymond Cauchetier is a French photographer, known for his work as the set photographer from 1959 to 1968 on many of the seminal films of the French New Wave. His photographs are an important record of the New Wave directors at the beginning of their careers, and of their unconventional and groundbreaking production methods. A 2009 profile of Cauchetier in Aperture magazine declared that his photographs "are themselves central works of the New Wave."
Self-taught, Cauchetier began taking pictures while serving in the press corps of the French Air Force in Indochina; his unit did not have the budget for a photographer and he bought his own Rolleiflex camera. He remained in the region after his service ended, taking pictures of Angkor Wat in Cambodia. In 1957, he met director Marcel Camus, who was in Cambodia to shoot the film Mort en fraude (Fugitive in Saigon), and was hired as the set photographer.
Upon Cauchetier’s return to France, he failed to find work as a photojournalist, and was instead hired to take pictures for photo-romans, a kind of photographic graphic novel, by publisher Hubert Serra. Through Serra, Cauchetier became acquainted with Jean-Luc Godard, then working as a film critic and hoping to become a filmmaker himself. Godard hired Cauchetier as the set photographer for his debut film, À bout de souffle (1960), a breakthrough both for Godard and for French cinema.
