Showing posts with label Retro Photography. Show all posts
Showing posts with label Retro Photography. Show all posts

Tuesday, November 29, 2011

Lost America by Troy Paiva

Troy Paiva

Troy Paiva, AKA Lost America, has been creating light painted night photography in abandoned locations and junkyards since 1989. His documentarian, yet surrealist, sometimes playful, sometimes haunting work examines the evolution and eventual abandonment of the communities, infrastructure and social iconography spawned during America’s 20th century expansion into the cities and deserts of the West-and the intensely exhillerating, yet strangely comforting act of sneaking around in the middle of the night, creating art from its ruins.

Over the last eleven years this website has gone viral repeatedly, spawning millions of hits. Troy’s imagery has appeared in print, in over a dozen countries-including three Stephen King book covers-and two award-winning monographs: “Lost America: Night Photography of the abandoned Roadside West“ in 2003 (Motorbooks International), and “Night Vision: The Art of Urban Exploration” in 2008 (Chronicle Books). Troy’s work has appeared in museums and galleries in New York, Los Angeles, Sweden and San Francisco. In 2010 and 2011 he appeared as a guest judge on the Singapore reality TV show The Big Shot.
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Monday, September 12, 2011

Black and White Photography by Henry Clarke

Henry Clarke

Born in Los Angeles in 1918, Henry Clarke, the renowned fashion photographer, discovered his calling in 1945 whilst working as an accessorist at Condé Nast in New York. During an encounter with the great Cecil Beaton during a photography session at Vogue’s studio, Clarke was entranced by the photographic image. He promptly abandoned his fashion job, borrowed a Rolleiflex camera and began taking pictures.


Deciding to try his luck abroad, Clarke moved to Paris in 1949. There his friend, Robert Randall, reintroduced him to the fashion world. He quickly found work at Fémina, L’Album de Figaro and Harper’s Bazaar. The next year he began a fruitful collaboration with the French, English and American editions of Vogue that would last more than a quarter-century. With the help of women like Suzy Parker, Ann Sainte Marie and Bettina, the most glamorous models of the day, Clarke captured the elegance of the modern woman: young, lively, carefree and seductive.
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